He was also the first to set down a consistent set of principles about what he thought was acceptable in art and what should be essentially rejected in art. As an editor of a magazine, Poe's views on literary criticism were influenced by the nature of the short works of art that would appeal to the magazine-reading public. But irrespective of his journalistic position, his critical views on the nature of what was and was not acceptable in a work of art have become famous and have had an enormous influence on subsequent writers. Among Poe's greatnesses was his ability as an editor to recognize great literature and to dismiss insignificant works.
Poe wrote an essay: The Philosophy of Composition; his intention was to write an account of the deliberate method used when writing his successful poem The Raven. It is loaded with alliteration, clever symbolism, imagery and wordplay, a lyrical trochaic octameter-rhyming scheme and a refrain finishing each stanza.
The next important issue he suggested was that the poem should be universally beautiful, believing beauty is the sole legitimate province of the poem. He then went on to suggest that the highest manifestation of the tone of beauty is sadness.
Melancholy is thus the most legitimate of all the poetic tones. He then turned to a standard poetic effect by using a refrain, giving structure to the poem by repeating the word nevermore at the end of each stanza. However he decided on a raven as the mouthpiece, as it was bettered suited to the melancholy effect and equally capable of language.
To extenuate the beautifully melancholy effect, Poe decided, that the death of a beautiful woman was the most poetic theme. He sought to determine the climax, the most poignant effect before building the story to this point.
I composed this stanza… by establishing the climax, I might the better vary and graduate, as regards seriousness and importance the preceding queries of the lover — and secondly, that I might definitely settle the rhythm, the metre, and the length… as well as graduate the stanzas which were to precede, so that none of them might surpass this rhythmical effect.
The Raven is a poem that has been carefully constructed with deliberate attention to every detail and while it tells a poignant tale of the dissent into madness, its rich language, rhyming and meter make it a linguistic treat and poetic masterpiece. A, The Raven, http:Poe's Philosophy of Composition and the Raven Essay.
In , Edgar A - Poe's Philosophy of Composition and the Raven Essay introduction. Poe wrote an essay: The Philosophy of Composition; his intention was to write an account of the deliberate method .
The Philosophy of Composition" was published in. In this essay Poe analyses how effect, length, province, tone and refrain contributes to the construction.
of a good poem. He examines his poem "The Raven" and establishes what is. important in poetry. “The Philosophy of Composition” is a literary essay by Edgar Allan Poe ().
First published in , it is about the mysteries of artistic creation/5. The Philosophy of Composition, by Edgar Allan Poe Edgar Allan Poe Society of Baltimore - Works - Tales - The Philosophy of Composition [Text] Last Update: Sept.
5, Navigation: Main Menu Poe’s Works Poe’s Essays. The Philosophy of Composition, by Edgar Allan Poe. Then this ebony bird beguiling my sad fancy into smiling.
By the grave and stern decorum of the countenance it wore, “Though thy crest be shorn and shaven thou,” I said, “art sure no craven,.
Ghastly grim and . "The Philosophy of Composition" is an essay written by American writer Edgar Allan Poe that elucidates a theory about how good writers write when they write well.
He concludes that length, "unity of effect" and a logical method are important considerations for good writing.